• Ikenobo Ikebana

    The history of Ikenobo is the history of ikebana. Over 500 years ago, ikebana began in Japan with Ikenobo to express the depth of nature's every-changing beauty, and reflect the feelings in our own hearts. Today, Ikenobo is one of the many schools of ikebana.

     

    In Ikenobo, we arrange plants cut and removed from nature so that they are filled with new beauty when placed in a new environment. The new form that is created holds our impression of the plant's beauty, while suggesting the forces of nature with which plants live in harmony. Ikenobo's spirit has spread not only in Japan, but throughout the world. It is our hope that the beauty of Ikenobo will serve as a way of drawing the world's people together.

     

    Ikenobo encompasses the traditional and modern, reflected in the evolution of Ikenobo's ikebana styles. Today's styles include rikka, shoka, and the modern free style.

  • Ikenobo's Styles

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    Rikka

    Rikka's origin lies in the 16th century and is the source of all Ikenobo's style. Its basic parts are arranged with many contrasting but complimentary materials, expressing the beauty of a natural landscape.
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    Shoka

    Shoka's origins are in the simpler ikebana of the 18th century. Shoka shofutai's three main branches - shin, soe and tai - form a unity which expresses life's perpetual change and renewal. Shoka shimputai, a newer style, presents a bright, modern feeling. The two main parts, shu and yo, repond to each other with contrasting yet harmonious qualities. A third part, ashirai, is often added as a finishing touch.
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    Jiyuka (Free Style)

    Free style is the most recent to emerge, and is sometimes broadly divided into a naturalistic style and a more abstract style. It focuses on line, surface and mass. While flowing from the arranger's inventiveness, both styles use plant materials in new ways, yet respect the beauty and essential qualities of each material.
  • About Ikenobo Society of Pittsburgh

    Ikebana developed in Japan during the process of experimenting with new techniques for placing flowers in Chinese vases. The Buddhist priests who made these floral offerings at the Buddhist temple lived near a pond (the Japanese word for pond is “ike”), in a small hut (called “bo”). In Kyoto, flowers arranged by Senkei Ikenobo of the Rokkakudo temple were widely praised. Senkei Ikenobo and Senno Ikenobo played active roles in the development of Ikenobo ikebana. The headquarters of Ikenobo remains at the place of its founding, the Rokkakudo Temple in Kyoto.

     

    Today, Ikenobo has organized chapters and study groups in countries around the world. The Ikenobo Society of Pittsburgh was founded in 1970 to promote and disseminate the art of Ikenobo in the Pittsburgh/Southwestern Pennsylvania region. Our chapter is recognized by Ikenobo Headquarters located in Kyoto, Japan.

     

    Ikenobo has evolved over the last five centuries into an array of styles for different occasions and seasons, from creating floral offerings for Buddhist temples, to designing arrangements for other public spaces and smaller creations for contemporary households. In Pittsburgh, our organization offers monthly Ikenobo workshops by certified instructors, along with other ikebana-related activities. 

     2024 Pittsburgh Chapter Officers & Committee Chairpersons

    Sono Hayes, President

    Joan Miles, Vice President

    Sue Curran, Treasurer

    Joanne Burmese, Secretary

    Kathie Davis, Assistant Secretary

    Maggie Lin, Teaching & Examination Chair

    Kazuko Maeshiro, Teaching & Examination Chair

    Joan Miles, Exhibition Coordinator

    Barbara Vassilicos, Ways & Means Coordinator

    Eveline Young, Ways & Mean Coordinator

    2024 Upcoming Dates

    June 18 - Ikenobo Workshop

    July 16 - Ikenobo Workshop

    August 20 - Outing at WilPen

    Sept. 20 & 21 - Visiting Professor

    October 15 - Ikenobo Workshop

    November 19 - Ikenobo Workshop